David won holiday camp talent competition at the age of ten, this was his catalyst for becoming a professional organist. He initially explored performing in local charity concerts, he soon found that he was in great demand. Family holidays taken at various organ festivals encouraged him and he won a teenage talent competition at the National Home Organ Festival at Hemsby in 1983. He was soon playing junior spots at major
organ festivals both in this country and abroad. Aged fourteen he filled semi-professional engagements at clubs in and around the Midlands. Leaving school in the summer of 1986 he realised his ambition and became a full-time professional organist. David has considerable experience, playing for dancing and backing cabaret in the clubs, has been musical director for several variety and dance shows. He has made concert appearances at organ societies and festivals all over the country. Much of David’s work is playing for strict tempo dancing where his reputation and popularity has taken him to venues throughout the UK. playing Ballroom, Latin American, Modern Sequence or Traditional Old Time. He currently plays Technics GA3, modified to make it portable, plus a Yamaha PSR8000, for both concert and dance work, To make life easier for his ‘crew’ he purchased the Orla GT8000 Compact portable and uses this mainly in upstairs venues. David also runs a small organ and keyboard teaching studio.
photo – wephoto.co.uk Info – OrganFax.co.uk
Concert review 28th October 2019 Chris Jones
We must thank Chris for stepping in at the last minute to replace David Lingwood who was unable to attend. Chris brought a Yamaha AR100 organ (personally customised) plus Ketron SD40 Expander Module, used for additional sounds and Rhythms. He provided a full concert with comprehensive variety and while perhaps we take for granted that all our attending artistes are accomplished, we should recognise that Chris at ‘the drop of a hat’ put together a professional evening of entertainment for us. He very much settled in by the second half and the music provided after the interval was even more rounded and entertaining, His humour – camp brought a smile and not a ‘little titter’ as Frankie Howard would say.
1st Half Everything is in rhythm with my heart, Put on a happy face, Somewhere out there, I only have eyes for you, Im in the mood for love, sleepy time girl, Liberty bell march, Sheep may safely graze, me & my teddy bear, the teddy bears picnic, portrait of my love, (Matt Monroe) walk away, someone to watch over me, time after time, say wonderful things to you, (Sung by CHRIS). If I were a rich man, match maker, yellow river, A time for us, Feelings, TV theme selection, I could have danced all night,
2nd Half Orange coloured sky, Any dream will do, Oh bla dee Oh bla da, Deep in the heart of Texas, On the way to San Francisco, roundup, your the cream in my coffee. Chris was called for an encore for which he played. Ethel Merman’s – I’ve got the sun
Visiting us 28th October 2019 Chris Jones
Chris’s interest in music began at 11 with piano he moved to the electronic organ at 13 and by the time he was 14 he was performing for Orpington organ society and his school. Later work found him a role as Deputy organist at the Streatham Ice rink. In 1985 Chris met David Lingwood at the first Caister Keyboard Festival and then after he turned professional. He has played for many societies all over Britain and at most major festivals. In 1991 he worked as Showroom Manager for Wersi at their UK headquarters in Purley in 1994 for GIG Sounds in Streatham, South London in 1995 at Rose-Morris in the West End. In 1996 he was offered the job as Manager of Roland Friday Keyboards, but in January 1997 Roland Friday sold the retail business to Music Land. Chris continues to work for them on a part time basis with David Harrild.
Chris’s musical tastes cover a broad spectrum, though he is particularly keen on Musicals, Marches, Romantic Ballads and Latin American.
Concert review 2019-07-22 Lewis Scott
Lewis, a young and keen instrumentalist provided our concert and was assisted in ‘setting up’ by his family. It was apparent that they are all very enthusiastic, in itself appealing by their dedication. Lewis produced a rounded selection of music with a bias toward theatre organ, all played faultlessly but played ‘straight’ and at a tempo that seemed to warrant a little more pace. His personal style perhaps is still developing together with his audience repartee, nevertheless, so rewarding to see a young and talented performer at the keyboard.
Some of the music played included – Colditz theme, Murder on the orient express, Hushaby mountain, A night in Tunisia, Tenderly, The last waltz (Englelbert Humperdink), Midnight in Moscow. Tonight, Don’t go breaking my heart, your song (Elton John). Quando Quando, Teco Teco. Stranger on the shore (Acker Bilk). Theme from ET.
After the interval – I’m still standing (Elton john). Stardust, Telstar, My Cherie Amour, Take the ‘A’ train, Titanic theme, A medley from Westside story,
For the encore Co Co Cabana.
Lewis’s instrument was a Roland Atelier AT900C with full pedalboard