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Visiting us 23rd September 2019 Chris Stanbury
Chris is an accomplished keyboard player on the professional circuit. He’s playing extends comfortably across the latest electronic instrument, jazz or classical piano to theatre or classical pipe organ, he dedicatedly applies skill and musicianship whether he’s playing at a concert, social dance, theatre show or wedding party,
Chris was classically trained yet he is equally at home playing jazz and pop music, his music qualifications from the London College of Music include Bachelor of, and Master of Music degrees. His career has led him to perform at the Notre Dame Cathedral in Paris, playing a premiere of a jazz organ piece at the Duke’s Hall, Royal Academy of Music, corporate functions and various tours of the Far East, both as a solo performer and session musician, and performances on national TV and BBC Radio 2.
Chris combines a performing career with that of a music examiner for the London College of Music and that of teacher.
At home he keeps an extensive collection of new and vintage instruments. His present concert instrument is the Yamaha ELS-02X Stagea organ.
Concert review 2019-07-22 Lewis Scott
Lewis, a young and keen instrumentalist provided our concert and was assisted in ‘setting up’ by his family. It was apparent that they are all very enthusiastic, in itself appealing by their dedication. Lewis produced a rounded selection of music with a bias toward theatre organ, all played faultlessly but played ‘straight’ and at a tempo that seemed to warrant a little more pace. His personal style perhaps is still developing together with his audience repartee, nevertheless, so rewarding to see a young and talented performer at the keyboard.
Some of the music played included – Colditz theme, Murder on the orient express, Hushaby mountain, A night in Tunisia, Tenderly, The last waltz (Englelbert Humperdink), Midnight in Moscow. Tonight, Don’t go breaking my heart, your song (Elton John). Quando Quando, Teco Teco. Stranger on the shore (Acker Bilk). Theme from ET.
After the interval – I’m still standing (Elton john). Stardust, Telstar, My Cherie Amour, Take the ‘A’ train, Titanic theme, A medley from Westside story,
For the encore Co Co Cabana.
Lewis’s instrument was a Roland Atelier AT900C with full pedalboard
Concert Review 23rd October 2017 – Rod Pooley
The evenings were drawing in, how fast the year is passing. Our guest for the evening was Rod Pooley. He opened with a sense of humour that continued throughout. “It was good to be back in Essex after such a long time… and the only way is??” Of course many replied “ESSEX…” He was, he thought a young man when last he performed for us, there was a bit of friendly banter between him and our booking secretary about how he came to be overlooked for so long and then the concert began with, ‘windmills of your mind’. Followed by “Charlie Chan”. Between each piece thereafter Rod continued with his humour which never failed to raise a laugh, he was himself the brunt of much of it. We listened to the realistic sound of ‘the big band’, ‘orchestras’ film music and much more. Some titles from the evening were, ‘O Mio Bambino Caro’, ‘Whiter Shade of Pale’ ‘All I ask of you’ and ‘Home’ by Michael Bublé. The evening was very well received by all with much applause. Rod commented that he hoped he wouldn’t need to wait another 14 years to be asked back again.
I am informed that, for those who like to know these things…
The instrument that Rod was using was the TRX Organ system based on Yamaha Tyros 5 with Hammond pedals.
Posted in Concert Review Tagged with: A concert – The Organist Entertains, BOKC, bokc.BOKC, brentwood, brentwood organ, Brentwood Organ Keyboard club, concert, Essex, keyboard, Live music, mountnessing, Rod Pooley