Michael Carter
February 24th, 2020 by Steve Morl

Michael Carter

Michael learned to play the organ after visiting Blackpool Tower, at age nine. He was fascinated by the sound and so attracted to the instrument. Hard work and the tutelage of Organist Foley Bates eventually returned Michael to the Tower where he achieved his ambition to play that famous instrument. As a teenager he worked weekends and in the school holidays at a local music shops where maintained his development of style and evolved further his ability with the instrument. His prowess led to performing at concerts, dances, and local events including an appearance on the same bill as a young Joe Pasquale for a charity event. Michael has owned many instruments and entertains either on his Hammond M102 or on a Yamaha HS series. His IT career has dominated his time for some years but latterly he has acquired a Yamaha HX1 and then an EL900m, and with them returned to the concert circuit playing both electronic Yamaha Stagea D-Deck DDK-7 and theatre organ. His career in IT continues to limit though, his music appointments. In his spare time, Michael helps with maintenance at some theatre organ venues and is the editor of ‘Cinema Organ’; the quarterly journal of the Cinema Organ Society, a role he took over from John Leeming. Domestically his garage now houses a 2-manual Wurlitzer console that he is rebuilding as a Virtual Theatre Pipe Organ

photo – wephoto.co.uk      Info – OrganFax.co.uk

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October 27th, 2019 by Steve Morl

Visiting us 28th October 2019 Chris Jones

Chris’s interest in music began at 11 with piano he moved to the electronic organ at 13 and by the time he was 14 he was performing for Orpington organ society and his school. Later work found him a role as Deputy organist at the Streatham Ice rink. In 1985 Chris met David Lingwood at the first Caister Keyboard Festival and then after he turned professional. He has played for many societies all over Britain and at most major festivals. In 1991 he worked as Showroom Manager for Wersi at their UK headquarters in Purley in 1994 for GIG Sounds in Streatham, South London in 1995 at Rose-Morris in the West End. In 1996 he was offered the job as Manager of Roland Friday Keyboards, but in January 1997 Roland Friday sold the retail business to Music Land.  Chris continues to work for them on a part time basis with David Harrild.
Chris’s musical tastes cover a broad spectrum, though he is particularly keen on Musicals, Marches, Romantic Ballads and Latin American.  

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August 16th, 2019 by Steve Morl

Chris Stanbury

Chris is an accomplished keyboard player on the professional circuit. He’s playing extends comfortably across the latest electronic instrument, jazz or classical piano to theatre or classical pipe organ, he dedicatedly applies skill and musicianship whether he’s playing at a concert, social dance, theatre show or wedding party,

Chris was classically trained yet he is equally at home playing jazz and pop music, his music qualifications from  the London College of Music include Bachelor of, and Master of Music degrees. His career has led him to perform at the Notre Dame Cathedral in Paris, playing a premiere of a jazz organ piece at the Duke’s Hall, Royal Academy of Music, corporate functions and various tours of the Far East, both as a solo performer and session musician, and performances on national TV and BBC Radio 2. 

Chris combines a performing career with that of a music examiner for the London College of Music and that of teacher.

At home he keeps an extensive collection of new and vintage instruments. His present concert instrument is the Yamaha ELS-02X Stagea organ.

photo – wephoto.co.uk      Info – OrganFax.co.uk

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July 23rd, 2019 by Steve Morl

Concert review 2019-07-22 Lewis Scott

 Lewis, a young and keen instrumentalist provided our concert and was assisted in ‘setting up’ by his family. It was apparent that they are all very enthusiastic, in itself appealing by their dedication. Lewis produced a rounded selection of music with a bias toward theatre organ, all played faultlessly but played ‘straight’ and at a tempo that seemed to warrant a little more pace. His personal style perhaps is still developing together with his audience repartee, nevertheless, so rewarding to see a young and talented performer at the keyboard.

Some of the music played included – Colditz theme, Murder on the orient express, Hushaby mountain, A night in Tunisia, Tenderly, The last waltz (Englelbert Humperdink), Midnight in Moscow. Tonight,  Don’t go breaking my heart, your song (Elton John). Quando Quando, Teco Teco. Stranger on the shore (Acker Bilk). Theme from ET.

After the interval – I’m still standing (Elton john). Stardust, Telstar, My Cherie Amour, Take the ‘A’ train, Titanic theme, A medley from Westside story,

For the encore Co Co Cabana.

Lewis’s instrument was a Roland Atelier AT900C with full pedalboard

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