Newsletters & Posts
Concert Review 25th September 2017 – Alex Payler
25th September and summer was over, the evenings drawing in and maybe that was why the turnout for our concert by Alex Payler was so disappointingly low. We even delayed the start of the evening hoping for a few more attendees.
Alex provided a captivating performance of live music with varied genres. He performed on his very capable Yamaha. There surely ought to have been content to please all. The evening opened with a lively rendition of Palladio soon contrasted by the minuet from the L’arlesienne suite by Bizet. As the evening progressed we heard music from film, stage, TV and the classics. Perhaps the style of his music should described as orchestral rather than Hammond, how the listener appreciated what they listened to would depend on their preference of style but the performance itself was absorbing, rounded and accomplished. At the end of the evening Alex was applauded and an encore requested for which he played Brazil by Ary Barroso
Alex’s instrument was the YAMAHA Electone Stagea ELS-02C. As well as being the first pro-player to import this very special instrument into the UK, he is now one of the leading exponents of this particular model in the world.
Alex’s concert content
PART 1 [Approx. Running Time—1:00Hr]
PART 2 [Approx. Running Time—1:00Hr]
Artiste – 25th September 2017 Alex Payler
Alex’s performance instrument is the state of the art YAMAHA Electone Stagea ELS-02C. As well as being the first pro-player to import this very special instrument into the UK, he is now one of the leading exponents of this particular model in the world. The state of the art Stagea ELS-02C is at the apex of technological innovation and along with its cutting-edge design, is by far the most musically expressive electronic instrument created in the world today. Check out Alex’s YouTube Channel for special live performances…
Acknowledgement to http://www.organfax.co.uk/players/alexpayler/#close
Posted in Booked Artiste Tagged with: A concert - The Organist Entertains, Alex Payler, BOKC, bokc.BOKC, brentwood, brentwood organ, Brentwood organ and keyboard, Brentwood Organ Keyboard club, concert
Artiste – visiting us 21th August 2017 – David Harrild
At the age of 9, his parents bought him his first organ which was a Bontempi from Woolworth’s, unfortunately his persistent practising on the Bontempi stretched his parents tolerance until they could stand no more, so he was given the option of attending lessons and a new organ.
Throw Away The Books
After 1 year’s tuition, he decided that he would throw away the teaching books and play by ear. At least that way, he could progress to more exciting material other than “Merrily We Roll Along”.
Through the years
Through the years David was inspired by his idol, Harry Stoneham, this encouraged him to form his Trio that consisted of Drums, Tenor Sax and Organ. The Trio become familiar faces with local Working Men’s Clubs, Bowls Clubs and then on to Masonic Ladies Festivals, Social Evenings and Dinner Dances.
Ability to play by ear
Many of you who have heard David in concert will know that he never carries music with him. David’s concerts are performed by his ability to play by ear. This ability enables him to choose his material, listen to it once or twice and then play it. David is now known around the country for performing at Music Festivals, Dinner Dance, Masonic Functions, Organ and Keyboard Clubs.
Concert review – Matthew Bason 24th July 2017
Our concert of the 24th July 2017 was the first with the new start time of 7.45pm, at least that was the intention. There had been an accident on the nearby A12 with the road effectively blocked all the way to Chelmsford, diverted traffic was then passing outside the hall. The audience was arriving for the night’s performance yet there was no Matthew Bason! To the relief of all though he did appear after an extensive diversion and the concert started only five minutes later than intended.
Multi talented Matthew gave us a taste of his “One-Man Musical Variety Show”. During the evening he not only played the Roland atelier AT350 punctuated with his own brand of humour, but a Yamaha piano, the accordion and we listened to his excellent singing voice. Matthews rendition of bring him home brought part of the audience to their feet. Mathew introduced differing stiles into his music; we heard music played on his Roland emulating a Hammond, a selection of gospel music, Classical, orchestral, and film music, to mention a few.
Matthew introduced us to Helga whom he produced form a suitcase, Helga the Piano accordion. On Helga he played for us his Brexit medley collection each piece relating to an EU country. The medley included, Tulips from Amsterdam, O soli Mio, amongst others.
Amongst just some of the music played by Matthew were. Blue tango, blue waltz, blue bossa, Misty, Amazing Grace, I’m all shook up, lets twist again like we did last summer, Brahms lullaby, 12th street rag, A selection from Abba including, Dancing queen, Mama Mia, tragedy, and thank you for the music. Other pieces included, the Rudetzky March. Hebrew slaves, Duke Ellington’s Caravan, River Kwai march, Bring him home, A homage to Dean Martin (who would have been 100 this year) included among others, Every body needs somebody, and sway. We also heard, somewhere over the rainbow, all the things you are, and Circus Renz.
Matthew’s “One-Man Musical Variety show” certainly fulfilled its promise of variety and was well applauded.
Matthew’s Roland Atelier AT350 and Yamaha Piano