Category: Concert Review

October 24th, 2017 by Steve Morl

Concert Review 23rd October 2017 – Rod Pooley

 

The evenings were drawing in, how fast the year is passing. Our guest for the evening was Rod Pooley. He opened with a sense of humour that continued throughout. “It was good to be back in Essex after such a long time… and the only way is??” Of course many replied “ESSEX…” He was, he thought a young man when last he performed for us, there was a bit of friendly banter between him and our booking secretary about how he came to be overlooked for so long and then the concert began with, ‘windmills of your mind’.  Followed by “Charlie Chan”. Between each piece thereafter Rod continued with his humour which never failed to raise a laugh, he was himself the brunt of much of it. We listened to the realistic sound of ‘the big band’, ‘orchestras’ film music and much more. Some titles from the evening were, ‘O Mio Bambino Caro’, ‘Whiter Shade of Pale’ ‘All I ask of you’ and ‘Home’ by Michael Bublé. The evening was very well received by all with much applause. Rod commented that he hoped he wouldn’t need to wait another 14 years to be asked back again.

 

I am informed that, for those who like to know these things…

The instrument that Rod was using was the TRX Organ system based on Yamaha Tyros 5 with Hammond pedals.

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September 30th, 2017 by Steve Morl

Concert Review 25th September 2017 – Alex Payler

25th September and summer was over, the evenings drawing in and maybe that was why the turnout for our concert by Alex Payler was so disappointingly low. We even delayed the start of the evening hoping for a few more attendees.

Alex provided a captivating performance of live music with varied genres. He performed on his very capable Yamaha. There surely ought to have been content to please all.  The evening opened with a lively rendition of Palladio soon contrasted by the minuet from the L’arlesienne suite by Bizet. As the evening progressed we heard music from film, stage, TV and the classics. Perhaps the style of his music should described as orchestral rather than Hammond, how the listener appreciated  what they listened to would depend on their preference of style but the performance itself was absorbing, rounded and accomplished. At the end of the evening Alex was applauded and an encore requested for which he played Brazil by Ary Barroso

Alex’s instrument was the YAMAHA Electone Stagea ELS-02C. As well as being the first pro-player to import this very special instrument into the UK, he is now one of the leading exponents of this particular model in the world.

Alex’s concert content

 

PART 1 [Approx. Running Time—1:00Hr]

 

  1. Palladio (K. Jenkins)
  2. L’arlesienne Minuet (Bizet)
  3. It Don’t Mean A Thing…(Ellington)  ▼
  4. The Habanera (Bizet)
  5. The ‘Phantom Connection’ (Webber) ▼
  6. Take Five (Brubeck)
  7. Trumpet Tune (J.Clarke/Purcell)  ▼
  8. James Bond Theme (Barry)
  9. Beauty & The Beast (Menken)
  10. E.T. The Flying Theme (J.Williams)
  11. ‘Lament’ / Firedance (Whelan)

 

PART 2 [Approx. Running Time—1:00Hr]

 

  1. Thunderbirds Theme (Gray)
  2. 1492 Conquest of Paradise (Vangelis)
  3. Westside Story Overture (Bernstein) ▼
  4. Hello Dolly (Herman)
  5. Band of Brothers (Kamen)
  6. Libertango (Astor Piazzolla) ▼
  7. Lean On Me (B. Withers)
  8. Aladdin – Arabian Nights/Friend Like Me (Menken)
  9. Bolero (Ravel)

 

  1. ENCORE: Brazil (Ary Barroso)

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August 22nd, 2017 by Steve Morl

 

Concert review – David Harrild 21st August 2017

Not being present, unfortunately there is no record available of pieces played at David’s concert.

Observations by others at the concert.

‘He didn’t talk much tending instead to play several tunes in-between, but showed humour when he did.’

‘Most of the playing was lively and this seemed to be greatly appreciated by the club members, as was his excellent arrangements of pieces. All in all, a very good night’s entertainment.’

He used the TRX Organ System based on the Yamaha Tyros 5

Posted in Concert Review

July 25th, 2017 by Steve Morl

 

Concert review – Matthew Bason 24th July 2017

 

Our concert of the 24th July 2017 was the first with the new start time of 7.45pm, at least that was the intention. There had been an accident on the nearby A12 with the road effectively blocked all the way to Chelmsford, diverted traffic was then passing outside the hall. The audience was arriving for the night’s performance yet there was no Matthew Bason! To the relief of all though he did appear after an extensive diversion and the concert started only five minutes later than intended.

Multi talented Matthew gave us a taste of his “One-Man Musical Variety Show”. During the evening he not only played the Roland atelier AT350 punctuated with his own brand of humour, but a Yamaha piano, the accordion and we listened to his excellent singing voice. Matthews rendition of bring him home brought part of the audience to their feet. Mathew introduced differing stiles into his music; we heard music played on his Roland emulating a Hammond, a selection of gospel music, Classical, orchestral, and film music, to mention a few.

Matthew introduced us to Helga whom he produced form a suitcase, Helga the Piano accordion. On Helga he played for us his Brexit medley collection each piece relating to an EU country. The medley included, Tulips from Amsterdam, O soli Mio, amongst others.

Amongst just some of the music played by Matthew were. Blue tango, blue waltz, blue bossa, Misty, Amazing Grace, I’m all shook up, lets twist again like we did last summer, Brahms lullaby, 12th street rag,  A selection from Abba including, Dancing queen, Mama Mia, tragedy, and thank you for the music. Other pieces included, the Rudetzky March. Hebrew slaves, Duke Ellington’s Caravan, River Kwai march,  Bring him home, A homage to Dean Martin  (who would have been 100 this year) included among others, Every body needs somebody, and sway. We also heard, somewhere over the rainbow, all the things you are, and Circus Renz.

Matthew’s “One-Man Musical Variety show” certainly fulfilled its promise of variety and was well applauded.

Matthew’s Roland Atelier AT350 and Yamaha Piano

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